With over 150 entries from more than 50 countries, the justice theme of this year’s IAFOR Documentary Photography Award inspired a prolific and diverse range of interpretations.
The competition was, as always, extremely competitive and the standard of photography high, however, the judges agreed conclusively that Ukrainian freelance photojournalist, Alexey Furman, who is currently pursuing his Master’s degree at Missouri School of Journalism on a Fulbright scholarship, was a deserving Grand Prize Winner for his project Life After Injury. The project focuses on the difficult physical and psychosocial rehabilitation of young Ukrainian soldiers wounded during the ongoing conflict with Russia-backed rebels and the Russian army in the Donbass region in eastern Ukraine – a conflict which since May 2014 has taken over 9,000 lives, and injured more than 5,000 Ukrainian soldiers.
Alexey had this to say about his approach to the subject:
“I want to concentrate on their adaptation to peaceful life when they come home, a story that gets overlooked in media outlets and existing photography projects. With the limitations their physical trauma imposes on them, they have to face an important challenge. They have to resocialise, as now they are different people with painful memories impossible to forget. With no help from the government and less financial support from patrons, they have to overcome new difficulties and seek possibilities themselves or with the support of their relatives and friends.
The Ukrainian government often neglects the contribution of these men. There are cases when war veterans’ documents read that they were wounded during military training. To get regular compensation they have to go through a special medical commission that proves that they were injured during battle. No rehabilitation facilities that could potentially help Ukrainian soldiers deal with both physical and psychological trauma are built. Ukrainian war veterans have to reach out to special programs that send them abroad for either physical or psychosocial rehabilitation.
With this project I would like to raise awareness on a growing number of war veterans in Ukraine. Despite the Minsk agreements that state a ceasefire, dozens of Ukrainian soldiers get injured every week. My goal is to create a website where their stories are featured, which will also act as a fundraising platform for them. Each story would be presented as a series of visuals and a text interview conducted in person.”
Congratulations, Alexey, on this is well-deserved achievement.
Alexey will now receive the following as part of his Grand Prize package:
- £1,000 cash prize from The International Academic Forum (IAFOR)
- Acceptance into the Metro Imaging Mentorship Programme
- Nomination for World Press Photo’s Joop Swart Masterclass
- Publication in the British Journal of Photography
- Tuition-free access to a MediaStorm Multimedia One-day Workshop and free access to MediaStorm’s Online Training Videos
- A Think Tank Photo Airport Commuter™ Backpack
- An invitation to an IAFOR conference in Asia, Europe, the Middle East or North America
Congratulations also to Isadora Kosofsky (Second Place) from USA, Souvid Datta (Third Place) from India, Yuyang Liu (Commended Entry) from China, and Hashem Shakeri (Commended Entry) from Iran, who will also receive prizes from Think Tank Photo, MediaStorm and The International Academic Forum (IAFOR), as well as publication in the British Journal of Photography.
Life After Injury
Vinny and David
The Vanishing Girls of West Bengal
Iran, Multi Piece Identity
Special thanks to our judges, Paul Lowe, Ed Kashi and Simon Roberts, and our wonderful supporters The International Academic Forum (IAFOR), British Journal of Photography, World Press Photo, Metro Imaging, University of the Arts London, Think Tank Photo, Centre for Documentary Practice, RMIT University, Medill School of Journalism and MediaStorm.
For more information about the Award, please contact Thaddeus Pope, Creative Director, IAFOR Documentary Photography Award (email@example.com).